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  • Vijesti

    Wüsthof Sharp Systemic Brand Identity with Gigodesign wins Red Dot Award

    How to win a Grand Prix in Cannes?

    The best of Latvian and Estonian advertising

    Enjoy the summer with Cinedays Film Factor 20

    Lokomotiva and SentecaCommerce signed a partnership for 12 European markets

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  • Tema sedmice
    daljinski-naslovnica

    Television Audience Measurement: In Serbia, the media are in a race to the bottom for every extra “click”, while in Croatia HTV has undermined the principle of joint monitoring

    This global pandemic, coronavirus, cuts across all geographical borders regardless of cultures and language. What is the role of Public relations today?

    Slaven Fischer: Creativity doesn’t reside in buildings but in people, no matter where they are. It’s natural for people to work from home.

    Janja Božič Marolt: As in every crisis, there will be a lot of victims and some winners in the communications industry of the region.

    Shortcutting Video: New Study Highlights the Effectiveness of 2-second Ads

    Topic of the Day: Can artificial intelligence replace human intelligence and emotions. Is technology a servant or a master?

  • Intervju

    Miranda Mladin: Keeping consumers’ attention is every brand’s biggest challenge

    Nataša Mitrović: I understood that the Balkans should be my primary target area and that, once I had become a shark in the Balkans, then I could make my way “back” into the big world and swim in the sea with the other sharks.

    Ivan Stanković: I admit to having great fun and enjoying myself enormously working on my show, What I am to you and who I am to myself.

    Scott-Gould-naslovnica

    Scot Gould: Stop doing anything that you do that isn’t valuable, tell everyone about that offering, and don’t stop!

    lazar-naslovnica

    Lazar Džamić: We are experts at preferring the byways, swamps, and chasms, so that we can keep on going in circles, lost in space

    Irena-naslovna

    Irena Kurtanjek: Contributing to the Communities in which we Operate is the Foundation of Nestlé’s Business

  • Kolumna

    Sponsors? What that?

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    Miša Lukić: What can start-ups learn from sperm?

    Do Brands Always Need to Sell Aggressively to Grow?

    Price of Hate

    The Advertising Industry: From Alchemists to Distributors and Back Again

    Milena Garfield: It’s not long since I said: If it ain’t live, it’s dead

  • Dnevnik

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    Diary of a Methuselah #159: Ivo Pogorelić and Zoran Todorović weren’t attractive enough for sponsors in Sarajevo

    Diary of a Methuselah #157: The Young Leaders of Tomorrow, a great event for young people who are ready to assume responsibility for the future of industry

    Diary of a Methuselah #156: I’ve been writing my Diary for three years now, and I don’t think I wrote anything smart

    Diary of a Methuselah #154: Three days at the PRO.PR Conference

    Diary of a Methuselah #153: Portal Media Marketing starts a new life today

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    Mladi liderji – Saša Droftina, Luna \TBWA: Želela bi, da bi se spremenil odnos do pitchev

    Mladi Lideri Kristina Gregorc

    Mladi liderji – Kristina Gregorc, Mercator: Zelo sem optimistična in izjemno ponosna in vesela, da sem del tako velike in uspešne ekipe

    Mladi Lideri

    Mladi liderji – Maša Crnkovič, Futura DDB: Največji izziv je vpeljava podatkov in feedback-a uporabnikov v procese dela

    Young leaders – Aneta Nedimović, New Moment Belgrade: Articulating ideas and the value of those ideas is an art form and a skill

    Mladi liderji – Matjaž Muhič, ArnoldVuga: Želel bi več časa za razmislek, za delo, za raziskovanje

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    Chris Pomeroy: Tourism in 2019 accounted for 1 in 10 jobs on the planet and until now it was resilient to all manner of crisis

    Andrey Barannikov: The role of PR in Russia is changing and becoming more strategically important both for brands and communication agencies

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    Three questions for Petra Krulc, Senior Vice President of Celtra

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This Year’s Oscars Audience Plummeted 20%, to the Show’s Lowest Ratings Ever

Just 26.5 million watched the telecast

07/03/2018
in News
2 min read
This Year’s Oscars Audience Plummeted 20%, to the Show’s Lowest Ratings Ever

Drugi jezik na kojem je dostupan ovaj članak: Bosnian

Source: Adweek

ABC’s efforts to market the 90th Academy Awards with a campaign that leaned heavily on last year’s Best Picture envelope snafu couldn’t hold off a 20 percent drop in ratings from 2017’s telecast.

Just 26.5 million people watched the Oscars, which makes it the lowest-rated Academy Awards telecast in total viewers since 1974, which is as far back as Nielsen has telecast data.

Last year’s ceremony, which was also hosted by Jimmy Kimmel, drew 32.9 million viewers, despite the craziest moment in Oscars history: Faye Dunaway announcing the wrong winner for Best Picture, giving the trophy briefly to La La Land before it was ultimately awarded to the rightful winner, Moonlight.

At the time, only the 2008 telecast, which drew 32 million, had lower ratings.

This is the second major awards show to see at least a 20 percent drop in total viewers this year. In January, the Grammys were seen by 19.8 million total viewers on CBS, a 24 percent decline from 2016. The Golden Globes had a smaller decline, with 19 million people watching on NBC, down 5 percent from the previous year.

With 2017’s highest-grossing films like Star Wars: The Last Jedi, Wonder Woman and Beauty and the Beast shut out of all major nominations, ABC instead played up last year’s mishap as its Oscars marketing campaign, hoping to lure audiences with the promise that something could go wrong again.

But the prospect of another Moonlight/La La Land error wasn’t enough to convince viewers to watch a ceremony featuring films like The Shape of Water and Three Billboards Outside Ebbing, Missouri, which few of them had seen.

With its falling ratings, the show won’t end up as the year’s highest-rated entertainment telecast, given that it has already fallen short of This Is Us’ post-Super Bowl episode, which averaged 27.0 million viewers.

It was still a lucrative night for ABC, as Oscar Sunday generates more ad revenue for ABC than any other day of the year, according to Kantar Media. Last year, the network raked in an estimated $128 million in ad revenue, $114 million for the telecast and an additional $14 million from its preshow red carpet coverage.

Kantar Media estimated that the average cost for a 30-second Oscars spot this year was above $2 million, although the network sold some 30-second ads for as much as $2.8 million.

This year’s Academy Awards advertisers included Twitter—which made its Oscars debut—as well as Nike, Walmart and Samsung.

Tags: CBSNBCNielsenOscars
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