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If Every Brewery Made Hand Sanitizer, It Might Look Like This

With gigs canceled, Jesse Alkire urges students to focus on personal projects

Ekrem DupanovićbyEkrem Dupanović
31/03/2020
in News
Reading Time: 2 mins read
Pročitaj članak na Bosanskom

Kathryn Lundstrom, Adweek

With what feels like an eternity already behind us and another one ahead of us in this new anxiety-ridden, quarantined normal, Jesse Alkire has some advice that doesn’t feel like another guilt trip from somebody who actually puts on pants to work from home: Make something silly.

“Silly” is just how Alkire, freelance creative director and founder of the Denver Ad School, describes the project he dropped on Twitter Wednesday afternoon. After seeing the news that Anheuser-Busch was shifting some of its production capacity to hand sanitizer for the American Red Cross, Alkire started playing around with some designs for other beer brands.

“I’d love to see other breweries follow Anheuser-Busch’s lead,” said Alkire. But in addition to highlighting that possibility, Alkire was also just trying to keep himself busy.

Jesse Alkire, founder of the Denver Ad School, is encouraging his students to use this time to build their portfolios.

As a freelancer, he’s lost gigs as a result of the coronavirus pandemic, but has largely been able to redirect that effort into the school. Students from all over the country are worrying about the gaps that’ll be left in their portfolios due to classes being suspended. In an attempt to support those students, Denver Ad School created its first online classes and worked to connect industry professionals with students in need of mentorship or portfolio help.

Whether it’s gained through formal coursework or independent study, there’s no substitute for practice. “The key to being a creative is all about reps,” said Alkire. “Just do a fun, stupid project like this, it gets you in Photoshop, it gets you in Illustrator. If you’re a writer, write a short story. The more you do, the better you get.”

Alkire also encourages students to use this time to sleuth around the LinkedIn pages of creative professionals. Looking at their portfolios can help younger creatives get a better sense of what employers are looking for. “The biggest thing you can control is working on stuff by yourself,” he said.

Autor

  • Ekrem Dupanović
    Ekrem Dupanović
    EKREM DUPANOVIĆ, founder of Media Marketing portal, author of the Creative Portfolio He started working in the advertising and PR industry 54 years ago (in 1970). For the first 15 years, he worked in the economic and advertising program of Radio Sarajevo (1970-1985), after which he joined the marketing agency OSSA, where he led the sports marketing team for five years. In 1990, he was appointed director of the Yugoslav-Swiss marketing agency IMS/STUDIO 6 Yugoslavia, established through a joint venture by OSSA and IMS/STUDIO 6 Lausanne. Shortly after its founding, he signed a contract with the Yugoslav Prime Minister Ante Marković, making IMS/STUDIO 6 Yugoslavia the first official agency of a Yugoslav government. He worked on sponsorship projects for major international events, such as the Winter Olympic Games Sarajevo 1984, the World Cup Ski Finals Sarajevo 1987 (marketing director), the European Athletics Championships "Split 1990" (marketing director), the World Ski Flying Championships "Planica 1994," and others. He managed the sponsorship of Monica Seles from her early days to becoming the world’s number one female tennis player. He is the author of the Woman.Comm Club project, which is successfully expanding in all countries of the Adriatic region.
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