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  • Vijesti

    Wüsthof Sharp Systemic Brand Identity with Gigodesign wins Red Dot Award

    How to win a Grand Prix in Cannes?

    The best of Latvian and Estonian advertising

    Enjoy the summer with Cinedays Film Factor 20

    Lokomotiva and SentecaCommerce signed a partnership for 12 European markets

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  • Tema sedmice
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    Television Audience Measurement: In Serbia, the media are in a race to the bottom for every extra “click”, while in Croatia HTV has undermined the principle of joint monitoring

    This global pandemic, coronavirus, cuts across all geographical borders regardless of cultures and language. What is the role of Public relations today?

    Slaven Fischer: Creativity doesn’t reside in buildings but in people, no matter where they are. It’s natural for people to work from home.

    Janja Božič Marolt: As in every crisis, there will be a lot of victims and some winners in the communications industry of the region.

    Shortcutting Video: New Study Highlights the Effectiveness of 2-second Ads

    Topic of the Day: Can artificial intelligence replace human intelligence and emotions. Is technology a servant or a master?

  • Intervju

    Miranda Mladin: Keeping consumers’ attention is every brand’s biggest challenge

    Nataša Mitrović: I understood that the Balkans should be my primary target area and that, once I had become a shark in the Balkans, then I could make my way “back” into the big world and swim in the sea with the other sharks.

    Ivan Stanković: I admit to having great fun and enjoying myself enormously working on my show, What I am to you and who I am to myself.

    Scott-Gould-naslovnica

    Scot Gould: Stop doing anything that you do that isn’t valuable, tell everyone about that offering, and don’t stop!

    lazar-naslovnica

    Lazar Džamić: We are experts at preferring the byways, swamps, and chasms, so that we can keep on going in circles, lost in space

    Irena-naslovna

    Irena Kurtanjek: Contributing to the Communities in which we Operate is the Foundation of Nestlé’s Business

  • Kolumna

    Sponsors? What that?

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    Do Brands Always Need to Sell Aggressively to Grow?

    Price of Hate

    The Advertising Industry: From Alchemists to Distributors and Back Again

    Milena Garfield: It’s not long since I said: If it ain’t live, it’s dead

  • Dnevnik

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    Diary of a Methuselah #159: Ivo Pogorelić and Zoran Todorović weren’t attractive enough for sponsors in Sarajevo

    Diary of a Methuselah #157: The Young Leaders of Tomorrow, a great event for young people who are ready to assume responsibility for the future of industry

    Diary of a Methuselah #156: I’ve been writing my Diary for three years now, and I don’t think I wrote anything smart

    Diary of a Methuselah #154: Three days at the PRO.PR Conference

    Diary of a Methuselah #153: Portal Media Marketing starts a new life today

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    Mladi liderji – Saša Droftina, Luna \TBWA: Želela bi, da bi se spremenil odnos do pitchev

    Mladi Lideri Kristina Gregorc

    Mladi liderji – Kristina Gregorc, Mercator: Zelo sem optimistična in izjemno ponosna in vesela, da sem del tako velike in uspešne ekipe

    Mladi Lideri

    Mladi liderji – Maša Crnkovič, Futura DDB: Največji izziv je vpeljava podatkov in feedback-a uporabnikov v procese dela

    Young leaders – Aneta Nedimović, New Moment Belgrade: Articulating ideas and the value of those ideas is an art form and a skill

    Mladi liderji – Matjaž Muhič, ArnoldVuga: Želel bi več časa za razmislek, za delo, za raziskovanje

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    Robert Wester: Strategic communications is at the top of the European Commission’s agenda

    Chris Pomeroy: Tourism in 2019 accounted for 1 in 10 jobs on the planet and until now it was resilient to all manner of crisis

    Andrey Barannikov: The role of PR in Russia is changing and becoming more strategically important both for brands and communication agencies

    francis-ingram-naslovnica

    Three questions for Francis Ingham, Managing Director of the Public Relations and Communications Association (PRCA) & Chief Executive of the International Communications Consultancy Organization (ICCO)

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    Three questions for Petra Krulc, Senior Vice President of Celtra

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Home News

Terry Savage to leave Cannes Lions after 33 years

Both Savage and Cannes Lions denied his departure has anything to do with the major restructuring of the Cannes Lions festival as of next year

11/12/2017
in News
2 min read
Terry Savage to leave Cannes Lions after 33 years

Drugi jezik na kojem je dostupan ovaj članak: Bosnian

Source: Campaign, Adweek

Terry Savage, Cannes Lions’ longtime leader, chief spokesman, and a figure many viewed as the heart and soul of the global creativity festival, will be moving on after the 2018 event ends.

Savage has been associated with the Cannes Lions for 33 years, first representing Australia, then serving as CEO and finally chairman.

As a gauge of Savage’s success leading the festival, Cannes Lions had 16,392 entries in 2003, the year he was appointed as CEO. In 2016, entries reached a peak of 43,101. The 2017 festival brought in about US$82 million in revenue for Ascential – 7% higher than 2016 despite “slightly reduced” entry and delegate numbers, according to Ascential.

“I have given a large part of my life to Cannes Lions and enjoyed every minute,” Savage told Campaign Asia-Pacific. “I am embedded in creativity and want to use that passion to help others to also follow this path—which I will.”

The chairman’s departure comes at a time of reflection and change for Cannes following criticisms that the Festival has lost some of its creative focus and become too costly and excessive. In response, Cannes Lions consulted with industry players before announcing a wide array of changes for 2018, including a shortened five-day programme, a simplified award structure, plans to separate commercial and non-profit work and changes to pricing policies. Some, however, feel the moves don’t go far enough.

In a separate email sent to Adweek, a Cannes Lions spokeswoman said Savage is leaving to “help other organizations that have a thirst and hunger to understand creativity better.” She denied the decision has anything to do with Ascential‘s announcements of the major restructuring amid pressure from WPP and other major holding groups.

Savage, who noted his decision to leave was not taken lightly, also downplayed the notion that his departure was part of a wider signal to the industry that the Festival is willing to change to return to creative roots. “Those that do know me well will know that I embrace change and new directions,” he said, reiterating his past insistence that Cannes has always been a reflection of the industry but has not strayed from creativity.

Savage said his focus for the next six months will be on making the revised 2018 Festival a success.  Beyond that, he would not divulge what will come next, but hinted that Cannes’ creative successes could be applied elsewhere.

Asked if he has any regrets about his decades-long leadership of the festival, Savage was unequivocal: “None that I will waste a second thinking about,” he said.

Tags: Cannes LionsPublicisTerry SavageWPP
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