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  • Vijesti

    Wüsthof Sharp Systemic Brand Identity with Gigodesign wins Red Dot Award

    How to win a Grand Prix in Cannes?

    The best of Latvian and Estonian advertising

    Enjoy the summer with Cinedays Film Factor 20

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  • Tema sedmice
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    Television Audience Measurement: In Serbia, the media are in a race to the bottom for every extra “click”, while in Croatia HTV has undermined the principle of joint monitoring

    This global pandemic, coronavirus, cuts across all geographical borders regardless of cultures and language. What is the role of Public relations today?

    Slaven Fischer: Creativity doesn’t reside in buildings but in people, no matter where they are. It’s natural for people to work from home.

    Janja Božič Marolt: As in every crisis, there will be a lot of victims and some winners in the communications industry of the region.

    Shortcutting Video: New Study Highlights the Effectiveness of 2-second Ads

    Topic of the Day: Can artificial intelligence replace human intelligence and emotions. Is technology a servant or a master?

  • Intervju

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    Nataša Mitrović: I understood that the Balkans should be my primary target area and that, once I had become a shark in the Balkans, then I could make my way “back” into the big world and swim in the sea with the other sharks.

    Ivan Stanković: I admit to having great fun and enjoying myself enormously working on my show, What I am to you and who I am to myself.

    Scott-Gould-naslovnica

    Scot Gould: Stop doing anything that you do that isn’t valuable, tell everyone about that offering, and don’t stop!

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    Lazar Džamić: We are experts at preferring the byways, swamps, and chasms, so that we can keep on going in circles, lost in space

    Irena-naslovna

    Irena Kurtanjek: Contributing to the Communities in which we Operate is the Foundation of Nestlé’s Business

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    Do Brands Always Need to Sell Aggressively to Grow?

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    Milena Garfield: It’s not long since I said: If it ain’t live, it’s dead

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    Diary of a Methuselah #159: Ivo Pogorelić and Zoran Todorović weren’t attractive enough for sponsors in Sarajevo

    Diary of a Methuselah #157: The Young Leaders of Tomorrow, a great event for young people who are ready to assume responsibility for the future of industry

    Diary of a Methuselah #156: I’ve been writing my Diary for three years now, and I don’t think I wrote anything smart

    Diary of a Methuselah #154: Three days at the PRO.PR Conference

    Diary of a Methuselah #153: Portal Media Marketing starts a new life today

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    Mladi liderji – Saša Droftina, Luna \TBWA: Želela bi, da bi se spremenil odnos do pitchev

    Mladi Lideri Kristina Gregorc

    Mladi liderji – Kristina Gregorc, Mercator: Zelo sem optimistična in izjemno ponosna in vesela, da sem del tako velike in uspešne ekipe

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    Mladi liderji – Maša Crnkovič, Futura DDB: Največji izziv je vpeljava podatkov in feedback-a uporabnikov v procese dela

    Young leaders – Aneta Nedimović, New Moment Belgrade: Articulating ideas and the value of those ideas is an art form and a skill

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    Chris Pomeroy: Tourism in 2019 accounted for 1 in 10 jobs on the planet and until now it was resilient to all manner of crisis

    Andrey Barannikov: The role of PR in Russia is changing and becoming more strategically important both for brands and communication agencies

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Sarajevo Film Festival generated $30,8m for local economy and has a positive effect on international perception of Bosnia and Herzegovina

Olsberg SPI's evaluation included a detailed analysis of the budgets and accounts of the Sarajevo Film Festival, as well as a series of confidential consultations with a number of stakeholders

01/08/2018
in News
2 min read
Sarajevo Film Festival generated $30,8m for local economy and has a positive effect on international perception of Bosnia and Herzegovina

Drugi jezik na kojem je dostupan ovaj članak: Bosnian

Olsberg SPI, one of the leading international consultancies in the field of creative industries, has conducted an independent evaluation of the impact Sarajevo Film Festival (SFF) has on the local economy, tourism, culture and society.

The study found that the Sarajevo Film Festival generates significant economic impacts for Sarajevo and for Bosnia and Herzegovina. When multiplier impacts were taken into account – including the activities of the Festival’s suppliers, and the generation of secondary spending in the economy – the study found that the total output related to the SFF amounted to $10.3 million. This supported 99 FTE (full time equivalent) employees, and an overall GVA (gross value added) contribution of $1.1 million. The results show that the festival significantly contributes to the larger economy of Sarajevo Canton and Bosnia and Herzegovina, especially tourism. Out of 30.000 tourists that visited Sarajevo during the festival dates, 10.000 resided in the city for the festival, which generated an income of $30,8m and created 1.385 FTE jobs in the tourist sector.

For each BAM of input from private sources, the Festival generates a GVA return of BAM 1.41; for public sources, this is raised to BAM 1.49. The Festival also provides strong tax revenues for the public sector: for each BAM of public money put into the Festival, both from Bosnian and international public sources, BAM 2.11 ($1,3) of total taxation is generated.

In addition to the impact on the local economy, Sarajevo Film Festival has significantly altered the international perception of Bosnia and Herzegovina. It also has a strong influence on local residents, inspiring the sense of belonging and pride. In terms of its cultural importance, participants of the study have placed the Festival alongside key events in the Sarajevo’s history, such as the 1984 Winter Olympics.

The festival also plays a vital role in the local audience development, and contributes to the production and the overall quality of the audio-visual industry in the Southeast European region. The Declaration of Sarajevo, adopted following a 2015 conference at the SFF and presently being considered at the Council of Europe, also provided a strong impetus to the development of a policy on Gender Equality in the film sector.

Olsberg SPI’s evaluation included a detailed analysis of the budgets and accounts of the Sarajevo Film Festival, a series of confidential consultations with a number of stakeholders, including the representatives of sponsors of the Festival and various levels government in Bosnia-Herzegovina, as well as the surveys of the industry and audience participants at the 2017 SFF which gathered over 1,000 total responses. The survey was conducted during the 2017 edition of the Sarajevo Film Festival, and was announced at last year’s CineLink Talks on CineLink Industry Days.

Tags: Olsberg SPISarajevo Film festivalSFF
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