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Ogilvy Social.Lab and Panenka Football Magazine create poignant tribute to Maradona

An homage to the player who transcended football and captured the world’s imagination

Ekrem DupanovićbyEkrem Dupanović
08/12/2020
in News
Reading Time: 3 mins read
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Ogilvy Social.Lab and Panenka Football Magazine present The Ball of God, a cinematic and touching video tribute to Diego Maradona, set in the place where it all started… a potrero. Which is not an official football pitch, but rather a typical vacant space in a humble part of Buenos Aires where Argentinian kids play rough and streetwise football. A potrero much like one where Maradona first picked up a ball and started playing himself.

The video sees a young fan saying a personal goodbye to a legend. By offering him his very own football, worn and heavily used, now attached to a string of balloons – and sent up to the heavens. With the aim to reach Maradona, and make sure he can still play football, wherever he is now.

As Maradona died in such a rush, it’s quite likely he forgot his ball.

This filmic video tribute is made for leading football Magazine Panenka, known for reporting on life through the lens of football, to commemorate the indisputable icon of the game. Recognizing his impact not just on football, but on the zeitgeist of popular culture.

In Maradona’s words: “I tried to be happy playing football and make all of you happy”

The creative team at Amsterdam’s Ogilvy Social.Lab treated the tribute as a movie, crafting it carefully but using real people and real locations, as all the casting and filming took place in the authentic slum districts of Buenos Aires.

Working closely with both the client, Panenka Magazine, and the Spanish production company, BeSweet Films, the creative process, production and editing was completed in a matter of days.

Executive Creative Director, Tolga Büyükdoganay says: “Diego gave us everything in the world that could be done with a football. The least we could do is give him one back to make him happy”

Maradona’s larger-than-life influence is palpable throughout every part of the campaign, in fact even one half of the creative team, Diego Lauton De Oliviera, was named after the great footballer himself. Further proof of Maradona’s profound effect on popular culture.

The death of Diego Maradona came as no big surprise, his health was ailing for years now. But nonetheless it was a mighty shock that is still reverberating around the world. The outpouring of grief is testimony to his unique impact on the world’s collective conscience and how he was a footballer not to be treated by ordinary standards. Quite simply, he was bigger than sport.

Always a controversial figure it’s often noted he embodied the best and the worst of football. The same could be said about him as a man.

But to a young boy from the rough side of Argentina he is and always will be an immortal legend who took the style of football played in the potreros to the biggest stadiums of the world.

The film was commissioned by Panenka who has built up a strong reputation of tackling football culture through a social, cultural and political lens.

Agency: Ogilvy Social.Lab Amsterdam

Creatives: Federico Botella Padilla, Diego Lauton De Oliviera

ECD: Tolga Büyükdoğanay

Agency Producer: Tamara Bogard

Production: BeSweet film + PANENKA

Directors: Matias Saravia & Larissa Cambauva

Producer: Juan San Roman

Autor

  • Ekrem Dupanović
    Ekrem Dupanović
    EKREM DUPANOVIĆ, founder of Media Marketing portal, author of the Creative Portfolio He started working in the advertising and PR industry 54 years ago (in 1970). For the first 15 years, he worked in the economic and advertising program of Radio Sarajevo (1970-1985), after which he joined the marketing agency OSSA, where he led the sports marketing team for five years. In 1990, he was appointed director of the Yugoslav-Swiss marketing agency IMS/STUDIO 6 Yugoslavia, established through a joint venture by OSSA and IMS/STUDIO 6 Lausanne. Shortly after its founding, he signed a contract with the Yugoslav Prime Minister Ante Marković, making IMS/STUDIO 6 Yugoslavia the first official agency of a Yugoslav government. He worked on sponsorship projects for major international events, such as the Winter Olympic Games Sarajevo 1984, the World Cup Ski Finals Sarajevo 1987 (marketing director), the European Athletics Championships "Split 1990" (marketing director), the World Ski Flying Championships "Planica 1994," and others. He managed the sponsorship of Monica Seles from her early days to becoming the world’s number one female tennis player. He is the author of the Woman.Comm Club project, which is successfully expanding in all countries of the Adriatic region.
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