PORTAL Art&Business | PORTAL WOMANCOMM | KREATIVNI PORTFOLIO 03 | HOTEL JUGOSLAVIJA (PDF)
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  • Vijesti

    Wüsthof Sharp Systemic Brand Identity with Gigodesign wins Red Dot Award

    How to win a Grand Prix in Cannes?

    The best of Latvian and Estonian advertising

    Enjoy the summer with Cinedays Film Factor 20

    Lokomotiva and SentecaCommerce signed a partnership for 12 European markets

    Virtual Drumming with Fernando Machado, Karolina Galácz, and Thomas Kolster

  • Tema sedmice
    daljinski-naslovnica

    Television Audience Measurement: In Serbia, the media are in a race to the bottom for every extra “click”, while in Croatia HTV has undermined the principle of joint monitoring

    This global pandemic, coronavirus, cuts across all geographical borders regardless of cultures and language. What is the role of Public relations today?

    Slaven Fischer: Creativity doesn’t reside in buildings but in people, no matter where they are. It’s natural for people to work from home.

    Janja Božič Marolt: As in every crisis, there will be a lot of victims and some winners in the communications industry of the region.

    Shortcutting Video: New Study Highlights the Effectiveness of 2-second Ads

    Topic of the Day: Can artificial intelligence replace human intelligence and emotions. Is technology a servant or a master?

  • Intervju

    Miranda Mladin: Keeping consumers’ attention is every brand’s biggest challenge

    Nataša Mitrović: I understood that the Balkans should be my primary target area and that, once I had become a shark in the Balkans, then I could make my way “back” into the big world and swim in the sea with the other sharks.

    Ivan Stanković: I admit to having great fun and enjoying myself enormously working on my show, What I am to you and who I am to myself.

    Scott-Gould-naslovnica

    Scot Gould: Stop doing anything that you do that isn’t valuable, tell everyone about that offering, and don’t stop!

    lazar-naslovnica

    Lazar Džamić: We are experts at preferring the byways, swamps, and chasms, so that we can keep on going in circles, lost in space

    Irena-naslovna

    Irena Kurtanjek: Contributing to the Communities in which we Operate is the Foundation of Nestlé’s Business

  • Kolumna

    Sponsors? What that?

    misa-naslovnica

    Miša Lukić: What can start-ups learn from sperm?

    Do Brands Always Need to Sell Aggressively to Grow?

    Price of Hate

    The Advertising Industry: From Alchemists to Distributors and Back Again

    Milena Garfield: It’s not long since I said: If it ain’t live, it’s dead

  • Dnevnik

    Diary of a Methuselah #176 Will our industry come out of this better and smarter?

    Diary of a Methuselah #159: Ivo Pogorelić and Zoran Todorović weren’t attractive enough for sponsors in Sarajevo

    Diary of a Methuselah #157: The Young Leaders of Tomorrow, a great event for young people who are ready to assume responsibility for the future of industry

    Diary of a Methuselah #156: I’ve been writing my Diary for three years now, and I don’t think I wrote anything smart

    Diary of a Methuselah #154: Three days at the PRO.PR Conference

    Diary of a Methuselah #153: Portal Media Marketing starts a new life today

  • Mladi lideri

    Mladi liderji – Uroš Zorčič, New Moment Ljubljana: Vedno gledam na dela sama in ne postavljam v ospredje posameznih ljudi ali agencij

    Mladi liderji – Saša Droftina, Luna \TBWA: Želela bi, da bi se spremenil odnos do pitchev

    Mladi Lideri Kristina Gregorc

    Mladi liderji – Kristina Gregorc, Mercator: Zelo sem optimistična in izjemno ponosna in vesela, da sem del tako velike in uspešne ekipe

    Mladi Lideri

    Mladi liderji – Maša Crnkovič, Futura DDB: Največji izziv je vpeljava podatkov in feedback-a uporabnikov v procese dela

    Young leaders – Aneta Nedimović, New Moment Belgrade: Articulating ideas and the value of those ideas is an art form and a skill

    Mladi liderji – Matjaž Muhič, ArnoldVuga: Želel bi več časa za razmislek, za delo, za raziskovanje

  • Tri pitanja

    Robert Wester: Strategic communications is at the top of the European Commission’s agenda

    Chris Pomeroy: Tourism in 2019 accounted for 1 in 10 jobs on the planet and until now it was resilient to all manner of crisis

    Andrey Barannikov: The role of PR in Russia is changing and becoming more strategically important both for brands and communication agencies

    francis-ingram-naslovnica

    Three questions for Francis Ingham, Managing Director of the Public Relations and Communications Association (PRCA) & Chief Executive of the International Communications Consultancy Organization (ICCO)

    3 questions for Svetlana Stavreva, President of the International PR association (IPRA): Today, people are demanding that organizations do what they promised

    Three questions for Petra Krulc, Senior Vice President of Celtra

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Home Interview

OMD’s Julie Fleischer Brings a Pragmatic Approach to the Agency World

Former Kraft exec settles into new role

17/06/2016
in Interview
3 min read
OMD's Julie Fleischer Brings a Pragmatic Approach to the Agency World

Drugi jezik na kojem je dostupan ovaj članak: Bosnian

Source: Patrick Coffee, Adweek

Specs
Who: Julie Fleischer
Current gig: Managing director, OMD Chicago
Previous gig: Senior director of data, content and media at Kraft
Age: 49
Twitter: @jfly

Adweek: You famously said that “90 percent of data is crap.” Do you still believe that?

Julie Fleischer: Most third-party data is packaged, repackaged and scaled—and by the time you get something to use it’s next to worthless in terms of accuracy. But first-party data is different because we collect it ourselves; it’s validated and it’s real. Third-party data is still necessary for scale, but you have to look at it with a grain of salt. As an industry, we have gotten ahead of ourselves in talking about the miraculous things data can do. The future is bright, but we are not there yet. There are a bajillion different parties selling third-party data. You feel super confident but, when you dig into it, maybe 40 percent is accurate and 60 percent is off-base.

Adweek: What is the key challenge facing the retail world in terms of media strategy?

Julie Fleischer: Retailers whose livelihoods have relied on people coming into their stores and browsing are really being challenged in a number of different categories. It’s mind-boggling. There’s so much more ecommerce and auto-replenishment subscriptions. Delivery services like Amazon Prime encourage people to make a decision once, and then they never have to make that decision again.

Adweek: What role can media agencies play in helping them stay relevant?

Julie Fleischer: We can help remind consumers why they go to a local retailer. We can help [clients] become more omni-channel and play into consumers’ behaviors rather than reinforce legacy business models.

Adweek: On the agency side, where should the data-related efforts be focused?

Julie Fleischer: In the CPG field, we’ve gotten away from really understanding the consumer in terms of both insights and how the work we do via advertising, marketing and communications drives that consumer’s purpose, because it’s all so disintermediated. Agencies have gotten very reliant on third-party data. Our vision for the future is a 1-to-1 understanding of everyone who lives in the U.S., but we are not anywhere close to that yet. People are open to things that make their lives better. Consumer trust is a big piece of it. Disney MagicBands are a great example; they develop photos and sync data about your trip. Why are people willing to give this data to Disney? Because they get so much back from it. As we get to that level of value moving in both directions and establish secure guardrails for how we will use (and not misuse) this data, then we can use it to give consumers the most meaningful information. Some companies will get there sooner, and future success will not be evenly distributed.

Adweek: How will the future model look to consumers?

Julie Fleischer: I don’t think brick and mortar will ever go away, because there’s something important about the act of discovery that is different online. I’m a voracious reader; I like to look at different titles, and I often discover books I didn’t go into the store to buy. My online buying, on the other hand, is usually very purpose-based. There are many categories—like décor, for instance—where discovery can take place on social media, but actually going to a store and thinking about how various items relate to your home is an important aspect of both how we shop and how we connect [to other people] in the real world.

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